It’s high time to talk about ‘The Chronicles of Deva’ series of prose novels by author Susan Ruth. Susan brought me in to do some covers and other arty bits (more on those later) for her series of books and I drew and painted some portraits of the characters too. The series has the fantastic setting of an 1920’s North-West England in the aftermath of a civil war between the North and South of the country (how very North American, or erm, Korean. Or Irish, even. Ahh, the list goes on) and focuses on the fragile group of characters who make up the ranks of the fragile acting government, beset from dangers without and within.
First up, let’s start on the safe ground of the main male protagonist: Stryker… Felix Stryker.
Stryker is a minister (the civil kind, not the religious kind) and maintains a security force and espionage network…
He has a touch of a young Abraham Lincoln or slightly-older Mr Darcy about him. Very well-dressed, maybe even on purpose to avoid suspicion and always seems to be about to receive a phone call or be called away to some kind of derring-do(!)
Messing around with exact facial features. Getting everything down the same in every expression or quick drawing and then repeating it at-will is something that takes lots of work.
Oh and just in case you were wondering; yes, it’s possible that ‘Skryker’ could be a pseudonym. You’ll have to keep reading the books to find out though.
So here’s a rough for the portrait; Skryker at night, shadowed, tucked away in a cobbled side-street near his ministry, partially lit by ornate lamps while the fog and mist of ‘Deva’ (the city of Chester no less, going by its Roman name) rolls in and around, concealing things and then offering fleeting reveals in the faltering light… This is what he’s all about. Oh and he also looks like Cary Grant a bit for some reason. That guy!
I decided to retire the lamplight halos, they were clobbering the whole ‘some things are hidden’ thread too strongly straight into the reader’s eyes. This is our clean-cut hero, after all.
Unfortunately I don’t have any in-progress images of the pencilling or inking of this character portrait image, so we go straight to finished linework with grey tone wash. Susan wanted these pieces of artwork to have a classic feel, like, say, book illustration around about the 20’s, when the books are set. Drawing linework with a dip-pen and ink and then putting in tone with watercolour paints on a real piece of paper definitely helped get this.
The analogue bit finished and ready to be scanned:
And then here’s the scan tidied up.
For all of my talk about classic feel, it now now time to, arm, unleash Photoshop. Just for limited colour values though! We had all of our informative parts off the piece down by hand, this was the last boot into legibility and the finish line:
And here’s your finished thing. The tower in the background actually had its angle straightened up thanks to the magic of Photoshop.
Next: Skryker’s weakness!